Enrique Martinez Celaya Captures a Familiar Feeling in His First L.A. Show in 4 Years.

Cruz Ortiz is interviewed in a podcast featuring the minds behind Texas’ most popular brands.

Viewing Kristen Cliburn’s elegant and deeply expressive paintings is a transcendent experience. She has mastered the language of color, creating carefully modulated abstractions that encourage contemplative viewing and individual interpretation.

“When the weather’s fine/We go fishin’ or go swimmin’ in the sea/We’re always happy/Life’s for livin’ yeah, that’s our philosophy,” goes the quirky 1970s hit “In the Summertime” by Mungo Jerry. Whether this 11-artist exhibition of the same name is a direct reference to the tune or just a coincidence, the show similarly espouses the sentiment that summer is the season for enjoying life.

On July 20, 1969, Apollo 11 landed on the moon. To celebrate the 50th anniversary, the MFAH presents Shooting the Moon: Photographs from the Museum’s Collection 50 Years after Apollo 11.

Petah Coyne’s ‘Untitled #1411 (Jane Austen) is a frothy delight.

Enrique Martinez Celaya hadn’t been back to Cuba since his boyhood, 47 years ago, when his family fled to Spain. So when the Los Angeles-based artist returned to his birthplace for the first time in April, it felt like he’d reached a mythic land.

LSU MOA will open a new exhibition featuring figurative paintings by three contemporary artists whose work explores how we negotiate representations of self in public, private, and shared spaces.

Blain|Southern London presents The Mariner’s Meadow, the gallery’s first exhibition with Los Angeles-based artist, Enrique Martínez Celaya. The exhibition unveils sixteen previously unseen paintings, in which the artist focuses on the sea and its relation to the human subconscious.

Edward Cella Gallery will present new paintings by Sara Carter in the artist’s first solo show with the gallery opening on May 11, 2019.

Paul Weiner just completed several works commissioned by Kehinde Wiley for his new Black Rock Senegal artist residency, which opens this summer. Paul traveled to Senegal last week to work on-site in the studios at Black Rock and complete six artworks. Often working on the studio’s rooftop with a view on one side of the ocean and the city on the other, his abstract charcoal works on canvas mirror Dakar’s beautiful landscape, especially the black rock beaches.

An innovative show at the Katonah Museum of Art juxtaposes modernist and contemporary landscape art.