Edward Cella Gallery will present new paintings by Sara Carter in the artist’s first solo show with the gallery opening on May 11, 2019.

Paul Weiner just completed several works commissioned by Kehinde Wiley for his new Black Rock Senegal artist residency, which opens this summer. Paul traveled to Senegal last week to work on-site in the studios at Black Rock and complete six artworks. Often working on the studio’s rooftop with a view on one side of the ocean and the city on the other, his abstract charcoal works on canvas mirror Dakar’s beautiful landscape, especially the black rock beaches.

An innovative show at the Katonah Museum of Art juxtaposes modernist and contemporary landscape art.

Ruby City, San Antonio’s newly constructed contemporary art center, has recently acquired a 2017 painting by San Antonio artist Cruz Ortiz.

Dallas Art Fair brings Texas and the world together – the ultimate guide to the art bonanza.

ARTNEWS: Thursday marked the opening of the first Marfa Invitational, an art fair for the West Texas ranch town that has become an artistic enclave since Donald Judd set up shop in the 1970s.

EYESIGHT/INSIGHT: HOW PAINTING AND THE SCIENCE OF SEEING AFFECT CHANGE — a conversation with Kristen Cliburn at the University of Houston’s “The 2019 Great Conversation” on Saturday, March 30, 2019.

Chris Trueman’s dynamic new paintings use experimental processes that result in wavering structures constructed by layering positive and negative space as the stages for brushwork that are big and fearless.

LandEscape explores the early 20th century American modernists who exhibited their innovative paintings at the groundbreaking 1913 Armory Show, and compares it to the work of artists from the 21st century who have rediscovered and reinvigorated the genre. At the Katonah Museum of Art in Katonah, NY through June 16, 2019.

Lowell Ryan Projects in Los Angeles presents “Color Out of Space”, a group show with Mark Flood, Nasim Hantehzadeh, Kysa Johnson, Laurie Nye, and Galen Trezise.

If you live at 181 Fremont in San Francisco, there is no doubt you’ve seen the stunning work of artist Chris Trueman in the elevator lobbies and adorning the wall of the seventh-floor lounge. Trueman describes these “dematerialized paintings” as pretending to live in a mediated state. They are rich, colorful artworks that are captivating and dynamic.

People who know modern art history love the perceptual games and references in Kremer’s eye-teasingly simple but high-concept paintings.